Listen to the lyrics of this song to understand why the Biya regime is determined to silence jailed protest singer Lapiro de Mbanga
In this fiery and no-holds-barred song released last year, Lapiro lashes out against the symbols of decay in today's Cameroon: A regime in power which has turned its back on all the nationalist slogans of the early years; generalized corruption that has effected every stratum of society ; an insolent and arrogant ruling elite brazenly parading symbols of ostentatious consumption (vulgar SUVs out of place on Cameroon's roads, huge castles amidst appalling squalor, some shown in the video);
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Manu Dibango «Manu Joue Sidney Bechet, Hommage à la Nouvelle Orléans » featuring Dany Doriz. Cristal Records, March 2007.
In his teenage years, black American jazz icons such as Louis Armstrong and Sydney Bechet had been a powerful motivating force in Manu's life. And in March 2007, the Cameroonian musician paid his own tribute to Bechet, the renowned composer and musician from New Orleans, with a pure jazz opus entitled "Manu Dibango joue Sydney Bechet." RFI
Cristal Records Presentation
Symbol of the World-Music since he travelled all around the world, as well for his music as for his humanitarian actions, Manu Dibango represents the emergence of the World-Music. He likes Gospel which reminds him his childhood and which is the ambassador of the Acid-jazz birth. Lately, his musical nomadism brought him to cooperate with classical orchestras such as the Metropole orchestra of Rotterdam, and more recently with the orchestra of Paris.
Continue reading "Manu Dibango: A Musical Tribute to New Orleans" »
On April 19, 1980, Bob Marley performed in front of 100,000 fans at the Rufaro Stadium in Harare. A day earlier, on April 18th, he sang Zimbabwe, which some have not hesitated to call "his most important single composition", during the actual independence ceremony. Here is a video of that event.
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Dibussi Tande
After a six-year break, US-based Cameroonian artist, Wanaku a.k.a The Tribal Monk has released his third album, Afrikan Guitarstrophy, in collaboration with his band, Sunplug’d. In this album, Wanaku shuns the “World Music” genre with its the over-reliance on technology and heavy (in)fusion of Western pop sounds. Instead, he unapologetically uses the acoustic guitar as the main conduit for what he calls “Sweet Afrikan Kontry Muziki”. This is not “afro-pop” byany stretch of the imagination; it is afro beat in its pure and unadulterated state.

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By Dibussi Tande
Richard Bona. Tiki. Universal Music France (Cameroon – Jazz). 2005. Official US Release: 9 May, 2006.
What happens when you mix the best of Francis Bebey and Manu Dibango, spice it up with a splash of Afro-Cuban Salsa and Brazilian Samba, and create soothing cocktail laced with the sweet languor of Jazz? You get Richard Bona’s fifth album, “Tiki”, a stunning 14-track multicultural musical odyssey put together in Brazil.
Continue reading "Music Review: Richard Bona – The Coming of Age of a Music Maestro" »
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